This Is How We Become Statistics.

and this is how we become statistics 

they hold up our legs at birth  

saying prayers of consolation  

for once again               

 it is a girl.    

and we become offerings  

at the altar of lifelong servitude  

wringing us on the cloth lines  

of eternal sacrifice  

our insides dry up faster than  

starched linen in harmattan  

just like dust  

we fly away forgotten, nameless and faceless  

left alone with only hush stories  

living in our chests like banana leaves  

they are unwrapped to be quickly discarded.


they seal our lips so tight  

leave us with crooked corners  

made for the sole purpose  

of singing along to the tunes  

of scriptured men  

who perform on us

the first act of violence  

who tell us  

that the vessel we think is ours  

is not for us  

was not for us  

could never ever be for us.

and to god alone be the glory  

our bodies are sites of contracts 

taken away from our first breath  

shame shoved deep within us  

on a stage where bedeviled  

gatekeepers of chastity  

repeat monologues  

of a woman’s worth  

of a husband’s right to stained white sheets  

of the audacity of cheap broken hymens.

so when they come  

after this orchestra of blame  

sometimes catcaller, bus conductor, market men  

mostly partner, cousin, pastor, uncle, teacher 

 inscribing hieroglyphics of sin unto our skin  

we engage in a dance of mindful forgetfulness  

for encoded in our dna are the age old lores of woe  

“you are stained no one would marry”  

“you carry the language of broken things”

“you embody a discarded melody of abandoned mangoes”.

but this is how we stop other women   

from being the 1 in 3 women  

focus of a un women report  

from being the 2 in 3 women  

subject of a gender studies journal at Wellesley  

from being front story  

of the sunday paper  

eyes covered in a black dash  

words like defiled tainting  

the puritan air with the acrid  

smell of things left for rotten  

say sexual history on full display  

say a pending courtcase  

written to the solicitors of   

asking for it and company.

we stop other women cause we  

we who have the audacity   

to tell the water our voices   

were baptized in it  

we come back to take  

take back the names  

we were forced to drop  our names.  

we who are the reincarnation

of gods renounced for   

the white man’s promises  

we anoint our bodies   

in honey and saltwater.  

we who invoke life  into dusty effigies  

we call our bodies new names  

say they are blessed  

say they are holy  

say they are divine.

we call the parts of us   

they said we could never own  

by their names  

we call the clit  

say you were never meant to be cut.  

we call the vagina  

say you were never a thing to hide at age six.  

we call the nipple  

say you belonged to us before  

debates about a husband or baby began.  

we call the thighs  

say you are the history of the women before us.

here is how we shall heal  

again & again & again  

holding the sun to ransom

until it pours light unto  

the dark crevices of our souls  

no longer screaming at night  

no longer crouching pillows drenched in sweat    

but offering prayers  

to a god as woman  

and as tender  

and as lush  

and as gloriously gloriously radiant  

as us.     

Ise.

Angel Nduka-Nwosu

Angel Nduka-Nwosu is a writer, editor, and journalist. Her work has appeared in Gumbo Media,  HOLAAfrica, Ake Review, The Random Photo Journal, YNaija, and Document Women, to name  a few. Her poem "Benediction" was part of the Top 100 poems for the 2017 Poets in Nigeria  Undergraduate Prize. An ardent feminist, she is the founder of The Emecheta Collective, a safe space  and accountability network primarily for women in writing, research, and content creation. She is  also the creator of the #SayHerNameNigeria hashtag, which aims to speak on the gendered angles of  police brutality in Nigeria. Angel has judged literary prizes, most notably the Kito Diaries in 2021  and The Spring Women Authors Prize in 2022. The winner of The Nigerian Teen Choice 2017  award for Spoken Word Poetry, she writes from Lagos, Nigeria. Catch her on all socials  @asangelwassayin.

Previous
Previous

Homecoming

Next
Next

For The Broken One, For the Foolish One.